Morris Robinson is quickly gaining a reputation as one of the most interesting and sought after basses performing today.Ī graduate of the Metropolitan Opera Lindemann Young Artist Development Program, Mr. Morris Robinson is considered one the most interesting and sought after basses performing today. She also covered the Foreign Princess in Rusalka at Canadian Opera Company, returned to North Carolina Opera as Brünnhilde in Siegfried, and made her house debut at Palm Beach Opera as the title role in Turandot. LoBianco made her role and house debut as Marianne Leitmetzerin in Die Rosenkavalier at the Metropolitan Opera. 9 with the Florida Orchestra, Beethoven’s Missa Solemnis with the Madison Symphony Orchestra, and Mahler’s Symphony No. In concert, she was to sing Beethoven’s Symphony No.
LoBianco joined Seattle Opera for two filmed productions, first as Santuzza in Cavalleria Rusticana and then as the title role in Tosca.Ĭancellations resulting from the Covid-19 pandemic include performances with Lyric Opera of Chicago as the title role in Tosca as well as Helmwige and the cover of Brünnhilde, as the title role in Aida with Opera Carolina and Opera Grand Rapids, as the Foreign Princess in Rusalka and the cover of Isolde in Tristan und Isolde, both with Santa Fe Opera, and as the Overseer in Elektra with Yannick Nézet-Séguin and the Philadelphia Orchestra. She will also make her debut with Portland Opera as the title role in Tosca, return to North Carolina Opera to reprise Leonore, perform the title role in Turandot with Maryland Lyric Opera, and sing the Overseer and Confidante in Elektra at the Metropolitan Opera. LoBianco will debut the role of Brünnhilde in a concertante performance with Seattle Opera, joined by colleagues Angela Meade, Eric Owens, and Brandon Jovanovich. Subsequent appearances with the Wiener Staatsoper have included performances as Helmwige in Die Walküre, as well as the cover of Brünnhilde, while on tour in Japan. LoBianco recently stepped in for an ailing colleague as Leonore in Fidelio for her debut with the Wiener Staatsoper while under contract for the title role in Turandot.
American soprano Alexandra LoBianco, whom the Seattle Times exclaimed, “gave an impassioned performance” as the title role in Aida at Seattle Opera, has established herself as a dramatic soprano of unequaled versatility, musicality, and consistency.
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